How to be a Woman.

Rumina Khatun

Camouflage.

Clothing: Rumina Khatun.

Amba.

For a styling workshop.

Amba

For a styling workshop- experimenting with flash and blurring (in camera).

Mock Vans Advertisement.

The Queen's Tropical Jubilee.

Photography/styling/hair: Me

Make up: Natalie Fox

http://nataliefoxmua-blog.tumblr.com

and Alina Miloslavskaya 

Genre and Forms.

Genre and Forms

Reblog of 'Claustrophobia'.

Still's from the video.

'Clean'

For an MUA's end of term project she had to produce work from the brief 'Clean', where I helped with the photography side of it. This is our end result:

Photography: Me
Make up/Styling/Hair: Natalie Fox
http://nataliefoxmua-blog.tumblr.com

'The Real Me?'

‘The Real Me?’ Individual Project 1- The final sequence.

MUA and amazing assistant: Natalie Fox @ http://nataliefoxmua-blog.tumblr.com/ 
Model: Myself.

'Happy clown, Sad clown’

My modern interpretation of the glamour portraits of the 20’s and 30’s. 

MUA: Natalie Fox @ http://nataliefoxmua-blog.tumblr.com/
Assistants: Natalie Fox and Ivory Bella.

The Coronet.

I had the opportunity to go to a free concert essentially at The Coronet in Elephant and Castle, it was the filming for the album chart show. So I got to see Olly Murs, JLS and The Saturdays for free! London Life isn't bad eh. I had never taken photos in a gig environment before and sot he images of Molly from The Saturdays are better than the Olly Murs and JLS photos because they were on last and I was too busy faffing about with settings on my camera, I got it right by the time The Saturdays came on.

'GEO'

When an MUA and a photographer get bored when hanging out.

MUA and model: Natalie Fox

‘It’s a London Thing’

The assignment brief for our first group project at LCF.

Proposal: Our idea is inspired by individual, gender and cultural identity, linking to the idea of this being lost in the metropolis that is London. Easily blending in, becoming one number amongst a statistic. From this inspiration we have decided to photograph a mannequin in different crowded scenarions around London, in order to create this effect. We are using a mannequin rather than a model because of its connotations; being emotionless, stripped of an individuality, with no race or religion, acting a blank canvas.

These are a selection of the final 20 images we had to present. They are unedited and taken on 35mm colour transparency film (slide film). They were taken by a mixture of 4 people, including by myself. A mixture of shots, styles and techniques are being shown here.

As well as the 20 photographs we had to produce using 35mm colour transparency film, our group decided to create a video piece documenting our day capturing the general publics reactions and almost giving our mannequin an identity.